Taking Woodstock We must find it

Taking Woodstock

We must find it. Why dont you start producing after you complete the story? Do you have the clear storyline in your head? Miyazaki says, That doesnt go well either. If I start working on Taking Woodstock e-konte with a detailed conception, the e-konte never traces the original plan. The plan surely breaks. I can realize where the story Taking Woodstock go only while I see the rush film or when Im struggling on checking genga and making e-konte. When making the e-konte reached its final phase Miyazaki s pencil completely stopped moving. He thought the film needed an impressive sequence before ending, even if would not effect anything on the story development. The story has already been decided in my head. I know how the ending will be, but tracing the story with e-konte Taking Woodstock good. It lacks Wasabi, tells Miyazaki. In the fall of 2007, his e-konte stopped and didnt proceed for a long time. Every week Miyazaki called the massage service to come by to the studio. Because of the e-konte delay the production department got into some serious trouble. They had a meeting with Miyazaki and asked him to hurry. Miyazaki was driven into a corner After quitting Toei, Miyazaki worked on TV series animation with Takahata. On Heidi, he showed enough of his skills under director Takahata. However, he began to wish wanting to make his own movie. In 1979, when Miyazaki was 39 years old, he made his director s debut with the full length feature Rupan Sansei: Kariosutoro no Shiro , Lupin III: The Castle of Cagliostro. It was not a young start as a director and unfortunately while going to the theaters he found only few audiences watching it. After that, he had a hard time for some years. He proposed some movie plans to a certain film company note: Telecom animation like Totoro, the prototype of Laputa and the prototype of Mononoke But they didnt accept them at all. There was a rumor in the anime industry business that Miyazakis plan smelled horseshit. His projects were out of date and never expected to result in box office hits. Those were the days in which Space Battleship Yamato got its success in Japan. Miyazaki joined working on some of the Telecom productions, like Little Nemo and Sherlock Holmes but quit the company because he couldnt do an original movie. How did you feel about the fact that you werent accepted to the anime industry in those 3 years? Of course I was frustrated.